Saishei
Art Museum
Phone:
(767) 333-4649
Address:
2324 Main Street
Ski Mountain, Vermont
Zip 98756
Current Artists
Isabelle Alessandra
Yeah I Still Think About You
A whimsical abstract painting with a prominent pastel pink background filled with
scattered petite architectural plan view geometric and organic shapes in orange,
yellow green, and dark blue, alongside a fan-shaped cold solar design and floating
green air bubble circles.
Isabelle Alessandra
New Ideas
A graphic arts compostion with a textured, pale turquoise backdrop. Floating about are multiple lime green circles of varying sizes, each divided internally by a pale mint-green, bowtie like double triangle shape. On the lower left side, a vertical, stacked tower of organic, geometric blocks is outlined in red and shaded with light green. At the top of this stack sits a thick, black character resembling the Chinese symbol for "soldier" or "scholar", next to a faint, embossed circular seal.
Isabelle Alessandra
Breaking Through
A painting dominated by warm earthy tones. On the left, a large, organic orange form is overlaid with thin, continuous black line drawings and framed by a prominent dark, sweeping arch. The right side features bold, solid blocks of bright orange in rectangular and rounded shapes. Circular motifs—including a solid dark brown circle, a faint white disc, and a sketched black ring—are scattered across the cream-colored background. Two of the dots could be seen as a eyeswith a cartoon like dog snout in orange with a black circular nose, pearing rather close up.
Isabelle Alessandra
Renewal
A pale, sage green abstract painting structured like a conceptual architectural plan or aerial map. Thin green lines divide the canvas into rectangular grid sections and long vertical paths. Five spheres with curved, tennis-ball-style seams appear to float or roll along the left side. The composition is accented by small geometric clusters, including a row of small red dots at the top left, a horizontal row near the bottom, and a multicolored grid block on the lower right. Styled rather art deco and detailed around possibly a humorous machine, a series of triggering mechanisms inter related
V. Maldonado
United States
The artist is a freelance multidisciplinary artist, curator, educator,
and writer. He served as a professor for the Northwest College of Art.
V. Maldonado
Light From The Fifth Sun
Complex, chaotic linework. A dense network of continuous, looping, and jagged lines in various shades of navy blue and dark indigo, covering the entire pastel lavender canvas, creating a highly textured and frantic pattern reminiscent of tangled vines
V. Maldonado
Following Breadth #1
A vibrant image of yellow and golden-orange. The piece is covered in a dense pattern of energetic, vertical and diagonal brushstrokes, creating a highly textured, layered effect with varied opacity
V. Maldonado
Owl Encounter
intricate, tangled linework on a pale warm gray background. A highly layered, frantic network of squiggly and jagged black lines is intertwined with vibrant pink similar accents. Fine vertical lines create a subtle grid-like texture underneath the chaotic pattern, with a denser cluster of bold vertical black marks near the center.
V. Maldonado
Following Breadth #2
A high-contrast composition of crimson, strawberry red, and white. filledd with frantic, layered brushstrokes and cross-hatching textures that run angularly vertically and diagonally, creating a sense of chaotic motion in a dense, woven pattern.
V. Maldonado
Following Breadth #4
Center line split side-by-side, by a thin vertical black line. The left side is a dense composition of vertical color washes in shades of fiery orange, yellow, crimson, and soft pink, accented by tiny, faint scribbles. The right side is a high-contrast piece featuring scattered, energetic black paint marks and pink to red shapes over a white canvas.
V. Maldonado
Shop
An organized concept grid pattern, mixed-media painting composed of a dense, repeating hand-stamped five-pointed stars. The stars alternate between solid fills and simple outlines in a patriotic fourth of July picnic like color scheme made from red, royal blue, black, and white. The lower edge has a stark white area. Positioned centrally in this lower section is a small faded image of a grocery cart.
Maria Morettit
Germany
The artist is creating a unique style theme of quirky patterns in large format paintings as, more magnificent upon the viewer.
Maria Moretti
Under Cover
The overall style is modern and geometric with a heavily textured, impasto finish. abstract mixed-media painting with a loose grid-like composition of textured square and rounded paint dabs of light blue, white, grey, black, and silver. These elements are layered over a heather, textured background of light cool gray, faint yellow, and soft blue washes.
Maria Moretti
Golden Nuggets
A wide horizontal band of gray paint seemingly applied with string and paint drippings in energetic splatters drops and multiwidth lines on a black background, sandwiched between top and bottom bands of a distressed, muted rose-beige background. Scattered across the entire canvas are three-dimensional, gold paint dabs and periwionkle blue paint dots. there is a single burgandy rain drop shaped dab in the center slightly to the right.
Maria Moretti
Castle Park
A blurred or fuzzy abstract landscape painting depicting a path or road rendered in broad, soft-edged blocks of color. The wide central pathway in the lower half features pale shades of grey, lavender, and light blue similar to would be concrete. It is flanked by abstract, geometric blocks of dark greens, olive, bright lime green, and touches of blue and brown that suggest a dense forest or tree canopy surrounding
Maria Moretti
Karma
A horizontal abstract painting set against a solid, matte deep warm grey to brown background. The composition features a rhythmic arrangement of vertical, organic ribbon-like shapes in a pale cream color. These are overlaid with thick, highly textured dark brown to black loops with swirls, and vertical dripping lines. The calligraphic, flowing forms stretch from top to bottom across the canvas, evoking the feel of stylized hanging vines, roots, or abstract musical notation.
Katherine Evans
United States
Evans' combination of raucous, vibrant hues and her mastery of calibrations imbue her canvas with mysterious luminosity. Her color medium is progressive and charged with pearlescent shifting colors.
Katherine Evans
Sun Drenched Sky
A square-focused abstract painting with a pale sky-blue border framing a central composition of overlapping, wash-like layers. Broad, semi-transparent patches of pastel blue and lime-yellow create a subtle grid, accented by vertical streaks of vibrant yellow and warm orange paint.
Katherine Evans
Morning Light
A vibrant abstract color-field painting. A large, glowing central square of bright orange surrounded by layered, soft-edged borders of fuchsia along the bottom, and shades of lavender, violet, and hot pink on the sides. The outermost left and right edges of the canvas are framed by vertical bands of deep green, teal, and blue, creating a highly saturated, atmospheric depth.
Katherine Evans
Floating Above The Surface
An abstract color-field painting with a hazy, glowing central composition. Overlapping blocky shapes in sunny yellow, soft orange, and peach are layered vertically and horizontally. Subtle textures, soft vertical drips, and short, faint dashed lines of white are interspersed within the warm colors. The entire central square form is surrounded by a soft, misty background of pale, cool grey.
Upcoming Artists
Youn Shin
United States
Growing up as a child in Korea in the 80's; Youn was first introduced to television and became fascinated by it. He acquired a myth about the equipment, that there were little people living, singing, and acting inside the TV box. TV programming was only available after 5 p.m.
at that time.
Youn Shin
Happy Memory
An abstract painting featuring six broad, vertical columns of vibrant color arranged from left to right: yellow, light blue, bright green, fuchsia, red, and dark blue. Overlaid horizontally across the entire composition are numerous thin, uneven, irregular white lines, creating a rhythmic, textured grid pattern over the colorful background.
Youn Shin
Gravitation
A minimalist mixed-media abstract piece against a textured, parchment-like beige background. Centered in the composition are four dark brown, geometric fabric like fragments arranged in a loose horizontal sequence. Intersecting with these fabric shapes are four separate sections of densely stitched corrigated cardboard like, cream-colored horizontal lines that form rectangular, ribbed patterns, creating a layered, tactile contrast.overlapping four double pieces.
Youn Shin
Sunstorm
A vibrant abstract artwork rendered entirely in warm shades of deep yellow, wildflower orange, and burnt orange. The composition features a distinct rectangular central panel filled with dense, raised vertical ridges that form a heavily textured pattern. These lines collectively curved parallel bend in a gentle, sweep toward the left side of the canvas, creating a rhythmic, undulating movement against a slightly smoother, framed border.
Soo Kang
Germany
The themes of her art often address time, rhythm, tones, and creation. As a student she was intrigued by the geometric language in the visual arts. Setting her own rules, she uses geometric standards to simplify forms of nature, transferring invisible terms into new forms.
Soo Kang
04 Solution #250714
A hand-drawn geometric study on paper featuring a large mandala-like design composed of overlapping circles arranged in concentric rings around a single center circle. The gaps between the innermost circles are filled in solid black, highlighting a star-like negative space. Straight pencil lines form nested heptagonal or octagonal rings over the circles. Red ink lines extend as radial rays from the very center toward the upper-left edge. The sketch includes handwritten numbers tracking the circles 1-75, math equations at the top, a note reading "- Zeit" and "- Spiral" on the right, and a signature that appears to read "Soo Youn / Sm 250714" at the bottom right. Blending art and mathematical scientific diagramming or mandala. Mysterious architectural layout plan view.
Soo Kang
Untitled
A high-contrast abstract painting composed of black, white, and shades of gray. The lower portion is dominated by vertical, bleeding streams of textured gray and white paint that resemble a waterfall or tree bark. The upper portion features sharp geometric silhouettes of solid black negative space, interspersed with organic, fluid white paint splatters and branching forms reminiscent of foliage silhouetted against a dark sky.
Soo Kang
Moon Calendar
2022_12 Places
A wide geometric artwork titled "Moon Calendar 2022" on a white background. It features a vast grid layout of small, identical circular charts representing lunar cycles across 12 horizontal rows 30 circles wide. Each circle is divided into sections showing moon phases shaded in black, gold, and white. As the rows descend, the top halves of the circles shift through a smooth color gradient, starting with mustard yellow, transitioning to vibrant green, teal, deep blue, purple, magenta, bright orange, and soft pink. Five larger moon phase indicators sit at the very top margin. Though not entirely accurate and more a like a color study at the hardware store with its full range of colors, sort of scientific fantasy sci-fi image of bisected circles in colors, vibrant colors bilateraly split at angles with black or tan in contrast or both. a row of green then a row of blue, then red , then pink , each with a full range of angular possibilities. with reference to the full range of the moon cycle half full cresent etc.
Takahiko Hayashi
Japan
The Artist
"I try to create something from nothing. I try to capture negative to represent positive. I try to express the present with history, and east with west. It is when object exist that nothing can be recognized for the first time."
Takahiko Hayashi
Binding Letters
A textured, matte black backdrop. Multiple concentric, sketch-like white rectangles are nested within one another, creating a tunnel-like geometric effect. A thin, horizontal red line originates from the far left edge and cuts across the left sides of the rectangles, ending right in the middle of the innermost rectangle. The edges of the canvas show a slightly irregular, painterly texture.Sort of modernist and prmitive geometry in a minimalist composition.
Takahiko Hayashi
The Days Being Woven By The Winds
Light And Shade
An abstract print or painting divided cleanly into two vertical halves. The left section features a textured, slate-gray backdrop overlaid with chaotic, dynamic white linework forming dense, energetic swirls and waves reminiscent of wind or churning water. The right section presents a similar, mirrored composition of gestural swirling lines, but rendered in warm shades of amber yellow, mustard, and tan.
Takahiko Hayashi
The Unformed Figure:
Non Matter Imaging
A minimalist abstract print or painting dominated by a solid, rectangular block of dark brown or black charcoal pigment. The surface shows a rough, speckled, and porous texture, allowing faint specks of light to peek through the dark medium. On the far left margin, the clean, uneven edge of the raw, light beige paper or canvas backing is exposed, providing a stark contrast to the dark block.a little bit fur like in 2-D.
Andree Cazin
France
The metamorphosis of confidence. Not saying everything, not revealing everything, letting it be percieved, guessing, leaving things vague, keeping certain mystery. The gesture is repetitive, and yet not identical. It is both pictorial and scriptural. The colors evoke, the reservations made about the comments.
Andree Cazin
When The Tide Withdraws
A serene abstract painting with a prominent light blue background. The lower two-thirds of the canvas are filled with dense, vertical brushstrokes in muted shades of ochre, tan, pale yellow, and soft green. The overlapping lines blur together softly at the edges, evoking a misty field of wild grass or reeds shifting in the wind under a clear sky.
Andree Cazin
Disassembly Of The Waters
An abstract artwork executed in multiple shades of bright and deep blue. The canvas is filled with horizontal bands of densely packed, pale diagonal linework that gives the impression of text or a shimmering wave pattern. In the exact center sits a distinct square panel containing a mosaic of organic, rounded shapes resembling river pebbles or water droplets in varying tones of cerulean, cobalt, and indigo, creating a structured focal point.
Andree Cazin
The Test Of Time
A textured abstract artwork. The centerpiece is a horizontal light gray rectangle with frayed, canvas-like edges, heavily layered with fine, chaotic loops of grey cursive handwriting that resemble asemic writing. This panel is framed by a broad border filled with dense, rhythmic, diagonal brushstrokes that blend deep purple, magenta, and blue tones together.
Andree Cazin
Metamorphosis
A layered abstract artwork. The background is composed of a textured, mottled field of ochre, bronze, and brown. Scattered across this surface are numerous soft, light-blue dabs and splotches of paint. Floating over the entire composition is an elegant, continuous white line drawing that mimics a fluid, illegible cursive handwriting or asemic script. The outer edges of the frame fade into a soft, hazy white border. Sort of like a poem floating in water with ripples.
Past Artists
Claire Price
United States
A hypnotic explosion of common flowers, moving like waves, bursting forth into existence, moving with nature. Reminiscent of Klimt's paintings of landscapes, shrubs, and flowers.
Claire Price
Marigolds
Painting of a lush field of marigold blossoms rendered in rich, textured brushstrokes. Round, ruffled flower heads in vivid shades of burnt orange, bright marigold, and pale yellow cover the canvas, surrounded by dense dark green stems and foliage.
Claire Price
Galileo's Garden
Vibrant, painterly depiction of a crowded wildflower garden set against a rich, grassy green backdrop. Clusters of distinct flowers populate the scene: bright yellow coneflowers with dark centers on the right, bold red poppies and soft pink and purple blooms in the center and top-left, small blue cornflowers sprinkled on the bottom-left, and two-tone pink and yellow daisies on the bottom-right. Tiny yellow accents are scattered throughout the dense green stems.
Claire Price
Nature As Cosmos
Expressive, highly textured painting depicting a pond surface covered in bright turquoise-blue lily pads. The surrounding water glistens with bold, painterly reflections of vivid crimson red, forest green, and hints of yellow, creating a fiery contrast against the cool blue pads. Fine green paint drips trail down across parts of the canvas.
Ruby McShane
United States
Have spaces, objects, and home seem to exhibit an identity separate from our inhabiting or using them? She uses photogragraphy to explore identity and consider ways of being seen and unseen. She creates art striving to depict under-represented people, experiences, and feelings using imagery.
Ruby McShane
Bowling Alley
Straight-on view of a four-lane bowling alley, maybe from the 1970's, with polished wooden floors and set pins at the far end. The surrounding side walls feature bold, geometric orange-and-black angular chevron patterns. Overhead display boards hang suspended above the approach area, and ball returns flank the far left and right edges.
Ruby McShane
Hotel Edge
Black-and-white photograph creating an inverted optical illusion. Seen from behind, a person wearing a dark jacket, fitted pants, and shoes reaches upward with both palms pressed flat against a pale, slightly textured surface above them, appearing to hang upside down or support the structure overhead.
Ruby McShane
A Sprouting Bean
An abstract, multi-layered photographic montage with a hazy, grainy quality. Hands appear near the top, reaching toward a purse shoulder bag of pale, striated bands or folded surfaces marked with dark patterns, all set against a moody background of muted browns, greens, and blacks.
Julie Mihaley
United States
These images convey transitions of the spirit of vocations and the way we recognize work as intrinsic to an object.
Julie Mihaley
Red White Inflection
Suggestive possibly of an active laptop in minimalist style. Abstract geometric digital artwork on a pitch-black background. Three distinct rectangular planes intersect in mid-air: a large, angled plane with a dark red wooden texture pointing upward to the right, a horizontal pale gray textured plane, and a narrow, semi-translucent white bar slicing diagonally through the center, showing transparency where the forms overlap.
Julie Mihaley
Apiery
A side-by-side composite photo comparing two apiary setups. On the left half, a black-and-white image shows plain, weathered wooden beehive boxes stacked under bare, dark trees. On the right half, a vibrant color photo shows stacked beehives painted in vivid shades of pink, yellow, orange, cyan, and green, set in a sunny grassy field with trees under a blue sky.
Julie Mihaley
Floating Tree
A side-by-side composite photograph of a wooded landscape featuring a surreal, severed tree trunk suspended offset just above its matching stump, still poised. The left half is rendered in dark, muted black-and-white tones, while the right half shows the same scene in natural full color, with sunlit green foliage and dappled light across the forest floor.
Brian McGloin & Laura Kurtenbauch
United States
'Double Exposed' is a series done by two photographers shooting film seperately then being double exposed by the other. The project is a way to collaborate, pursuing to express the tension and dissonance within the built human landscape.
An overview in a format favorable for a screen reader tool.
McGloin & Kurtenbauch
Double Exposed #38
Abstract film photograph of a glass pavilion or bus shelter against a twilight sky, featuring light leaks, film sprocket reflections, and liquid-like marks on the lens.
Saishie seeks to provide an experience of the arts elevating perspective, where locals and travelers can seek inspiration.